Instant Orchestration with Finale’s “Explode Music” Feature

by Tom Johnson 31. August 2010 11:17

At a recent Finale training session, I met a music minister who asked how he might quickly turn hymns into brass quintets. He was so jazzed with my answer I decided to share it with you as well.

The answer is: “Explode Music.”

While I’ve mentioned Explode Music briefly in the past, this week I’d like to cover its use in more detail.

Finale’s Explode Music feature allows you to instantly orchestrate existing music by taking music from one or two staves and automatically distributing it over multiple staves. We’ll start with my friend’s hymn as our example. The following could have been entered via scanning, or any other note entry method in Finale:

Here is how I would use Explode Music to turn this hymn into an arrangement for brass quintet:

  1. Launch Finale’s Setup Wizard, and on the first page select the “Garritan Brass Quintet” or the “Brass Quintet” Ensemble (the former sounds best, the latter works better on slower machines or when you’ll share the completed file with others who may not have Finale). From here, follow the prompts in the Setup Wizard, or simply press Next, Next, Next, and Finish.
  2. Paste the music above into the top two staves of your new brass quintet chart. The first half should now look something like this: 

3. With the Selection tool chosen, select the top two staves. To do this, click to the left of the top staff’s instrument name (Trumpet in Bb 1), then shift-click to the left of the second staff’s instrument name. Then, from the Utilities menu choose Explode Music, or use the Selection tool shortcut of typing 2.
4. Configure the resulting Explode Music dialog box as I have below. Specifically, split the music into 4 staves and place the music into existing staves starting with Trumpet 1:

5. Click OK and the music is instantly exploded.

In looking at the result, you may notice that the tuba staff remains unpopulated. One quick solution is to copy the trombone part to the tuba part, then lower it an octave. To do so, select the tuba part and type 8 to utilize the transposition shortcut mentioned in last week’s post. Having done that, the first system should look something like this:


That strikes me as pretty quick and easy.

As a final tip, you might consider using the Check Range plug-in if you’re unsure of the ranges of any of the instruments in your arrangements. If you’d like more detail on how to do that, or on anything else Finale-related, please let us know by clicking on “Comments” below!

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Tom Johnson

Comments

8/26/2010 6:51:59 AM #

Karl-Johan Ankarblom

This is a great start!, but;

Are Explode Music copying Smartshapes in Finale 2011? In 2010 it doesn't, wich to many is a mystery (it copies articulations and expressions)

This tool have looked the same for years and years.

I wish that in the future Explode Music could be developed into a more complete Orchestration Tool.

Now you can only explode to staves that are right next to eachother. Imagine to get a list of all the instrument-staves of your score and be able to click in a checkbox to witch staves to explode... And maybe built in octave-shifts options (like the Tuba-part above...) , like a checkbox for "+1 octave" and the opposite. When you're done, you can save what you just did as a preset to recall at a later time... (like "4 part Strings, Contrabass col Celli"

Karl-Johan Ankarblom Sweden

8/26/2010 7:14:37 AM #

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8/26/2010 7:48:50 AM #

Barbara

Very timely, since two of us in our brass group arrange music on a regular basis.  I had a copy of Yellow Rose of Texas that I've been wanting to easily convert for our group and this is perfect.

I did notice one detail that's required to make this work; I just can't remember what you call it.  Down at the bottom left-hand corner of my workspace where the 1, 2, 3, and 4 are, I had entered some of the notes on 1 and some on 2 (where it mixed up different rhythms on the bass clef).  When I went to explode the music, it only carried over what I had selected for 1.  Anything I had written in 2 wasn't included.  

I haven't tried it yet, but I bet if I clicked on 2 and then tried to explode again it would probably carry over (just an extra step).  Overall though, great idea. I can see where finding music written for organ and then exploding for 5 part harmony would make it really easy; it would give the tuba a different part to play from trombone if I pulled in the pedal.

Barbara United States

8/27/2010 11:46:06 AM #

Jason Poss

I write for the show "Dancing With the Stars" and use this feature quite frequently.  It's very handy to be able to write 4-sax chords or 3 trumpet chords one staff and then just explode them out.  I even have Quickeys set up to explode saxes, trumpets or trombones in my template.  Play the chords in, press the right key, and all staves have the correct notes!

Jason Poss United States

8/27/2010 12:05:38 PM #

Scott Yoho

Hi Karl-Johan,

Thanks for the comments. My experience with Explode Music and Smart Shapes is that it does copy note-attached Smart Shapes like slurs, but doesn’t copy measure-attached Smart Shapes like hairpins. I’m glad to include this with your other excellent suggestions for improving future versions of Explode Music.

Scott from MakeMusic

Scott Yoho United States

8/27/2010 12:11:12 PM #

Scott Yoho

Hi Barbara,

Thanks for joining in! Layers can complicate matters. As long as all the notes I want to explode are in the same layer it seems to work great for me.

Scott at MakeMusic

Scott Yoho United States

8/27/2010 12:12:40 PM #

Scott Yoho

Hi Jason,

Great to hear from you. Thanks for sharing your workflow and kind words about Explode Music!

Scott at MakeMusic

Scott Yoho

8/28/2010 12:00:49 AM #

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8/28/2010 7:22:42 AM #

Jason Poss

Just to second the comment about measure attached expressions, I've been aware of this since at least Finale 2001.  It would be great to have those measure attached expressions (or at least the smart shapes like hairpins) explode with the notes.  This can be a time-consuming extra step on large orchestral scores.

I can remember us wishing for this at 3am in London when changes came down on a film cue that was to be recorded the next morning.

Jason Poss United States

8/28/2010 7:50:58 AM #

Scott Yoho

Hi Jason,

Thanks for the comments. Just to be clear, my remarks above were specific to SmartShapes and not Expressions.

If I create a new document in Finale 2011, using default Expressions, they utilize the default Expression Categories. As a result I get what strikes me as desired/expected results when exploding music with expressions.

For example, dynamics, expressive text, technique text, and miscellaneous expressions copy to subsequent staves. only rehearsal marks, tempo marks, and tempo alterations (which I probably only want at the top of the score) do not.

If you’re not getting the desired results with expressions when exploding music in files created in Finale 2010 or 2011, let me know the specifics and we’ll see if we can’t suggest ways you can get better results, or forward additional suggestions to our developers. You can reach me by clicking the “Contact” button on the blog.

Scott at MakeMusic

Scott Yoho

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