Finale 2011 and the Garritan Aria Player

by Scott Yoho 5. August 2010 06:46


The Garritan Aria Player in Finale 2011

In part because I think its interface makes for a nice blog photo, I thought I’d talk about the cool Garritan Aria Player included with Finale 2011.

This updated player is the same one found in Garritan Personal Orchestra 4.0, and has a new user interface with clearer controls. Plus it looks nice. The most signifigant improvement is likely the “Save Ensembles” feature. This lets you quickly load multiple sounds, even when you’re configuring the player manually. 

“Great,” you’re thinking, “what does that mean?”

If you’re mostly using Finale to create new music, probably nothing – to you. If you set up your scores with the Setup Wizard, all your sounds are automatically configured for you, so you may never use this feature.

However, if you have a lot of older scores, which you occasionally dust off and put to use, this might be a big deal. When you open an older file that wasn’t configured to use Garritan sounds, you have to manually configure which staves play which sounds. It’s actually pretty easy in the Aria interface, but if you have larger scores it can get to be a bit of clicking, and this new feature allows you to bypass the tedium.

If, for example, you have a library of marching band scores, all with the same instrumentation, once you’ve configured one of these in the Aria Player, you can save that configuration as an “Ensemble.” The next time you open a similar file, you can simply load that same Ensemble and you’re done; every staff is configured.

Of more general interest, Finale 2011 also includes an expanded collection of Garritan sounds. Recent additions include bass trombone, brass section, children's choir ahs, flute section, electronic drumkit, synth space voice, synth warm pad, and steel drums. The complete collection appears here.

Please let us know how the Garritan sounds are working for you by clicking on “Comments” below.

Tags: , , , , ,

Scott Yoho

Comments

7/25/2010 9:09:20 PM #

pingback

Pingback from topsy.com

Twitter Trackbacks for
        
        Finale 2011 and the Garritan Aria Player
        [finalemusic.com]
        on Topsy.com

topsy.com

7/25/2010 9:15:26 PM #

Derrek

Your attached list shows "Bass Trombone," but my copy of Finale 2011 lists "Orch. Bass Trombone Solo" instead. Wouldn't the "solo" trombone behave/sound slightly differently than a section bass trombone would?

Derrek United States

7/26/2010 12:25:22 AM #

Scott Yoho

Hi Derrek,

Thanks for the comment. To answer your question, I'm sure a bass trombone player does lots of things differently when playing one part in a section than he or she would do when playing a solo, including listening a lot to everyone around them (which is tough to capture in a sample).

That said, I'm not exactly certain what the naming criteria the good folks at Garritan use. Here’s a list of the sounds included with the full GPO 4.0 set: www.garritan.com/index.php

My guess is that they may use the term "solo" to simply distinguish between a sample of a single flute playing and more than one flute playing in unison (for example). Although I use these sounds all the time, I’m no Garritan expert. Anyone else have a more knowledgeable reply for Derrek?

Scott at MakeMusic

Scott Yoho United States

9/25/2010 7:14:46 AM #

David Gaines

As a former bass trombone player and for many years now a composer who has written countless bass trombone parts for both orchestra and symphonic band, I'm happy to answer this.

Derrek's question is a reasonable one but, in the context of the bass trombone, unnecessary. There's no such thing as "a bass trombone section." It's a bit like asking about a bass clarinet section or an english horn section. Like the tuba player next to whom the bass trombonist inevitably sits, there is in standard ensemble formations only one. I suppose there are very large marching bands or high school all-state bands where you would encounter more than one, but I would consider those special exceptions, orchestrationally speaking. It's important to note here for those unfamiliar with trombone orchestration that the bass trombone is treated rather differently than the tenor trombone, of which you will indeed find a whole section in orchestras, bands, brass choirs, brass bands, etc. and certainly for very accurate playback you would need a distinction between section and solo. In fact, you will almost always see "Bass Trombone" separated out from "Trombone" in concert program roster lists for orchestras and bands.

Having said all of that, I haven't heard the Garritan bass trombone yet but I have little doubt that it blends fine with the tenor trombone and tuba sampled instruments that accompany it within Finale 2011. If we're lucky, it approximates Charlie Vernon of the Chicago Symphony Orchestra, who, after hearing him play Copland's Symphony No. 3 with the CSO and then his bass trombone recital CD, I would say certainly deserves to have a true "Orchestral Bass Trombone Solo" sample instrument modeled after him.  Smile

DG

David Gaines United States

9/25/2010 7:18:58 AM #

Scott Yoho

Hi David,

Thanks for the insight!

Scott at MakeMusic

Scott Yoho

1/13/2012 12:45:10 PM #

pingback

Pingback from bestsellersterms.co.cc

Finale player | Bestsellersterms

bestsellersterms.co.cc

Comments are closed

Powered by BlogEngine.NET 1.5.0.7
Theme by Mads Kristensen

Welcome!

This blog was created to provide an interactive means to share commentary and tips on the Finale family of music notation products.

RecentComments

Comment RSS